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Hey Reader, Someone left a comment a while back asking what my tinnitus actually sounds like. Not "do you have it," which people ask a lot. What it actually sounds like. I told them the truth. It's not one tone anymore. It's several, different in each ear, all going at once. A kind of chorus effect on the sound, guitarists will know what a chorus effect does to sound, a gentle phasing up and down, and that's built slowly over thirty years, getting a little worse every decade until it stopped being background noise and became something that's just always there. Last thing at night it is most noticeable, when I am lay in bed about to sleep. It is even worse when warm night's hit, then we have the windows open and I have to wear ear plugs to keep out the world, and ear plugs seem to make it worse, in silence. It started simply enough. March 1991, a mate and I came out of Judas Priest at the Hammersmith Odeon on the Painkiller tour. Peak sound that night hit somewhere around 120 decibels in a sealed Art Deco theatre built for 3,500 people and no exit for the noise. Nobody handed out earplugs. That wasn't how it worked back then. Thta wasn't the only lod gig, obviously. But it was one I remember because neither of us could hear each other talk when we left, even when we were shouting in each other's ears. My hearing came back the next day. A faint,single tone stayed behind, faint enough to ignore most of the time. It came and went. Or maybe my perception of it came and went, who knows for sure. And of course, it wasn't just that one night. It was thousands of hours after it, in control rooms, and clubs... and rehearsals, yeah they were probably the worst, everyone turning up to compete with the drums that had no volume control. One concert didn't give me the chorus. My lige choices did. A tone here, a shift in pitch there, until what started as one thin ringing became the full thing I hear now. Constant. Underneath everything. The only time I don't notice it is when there's enough real noise to cover it, or I'm absorbed enough in something else that my attention moves elsewhere. For a long time I thought of it as the bill for a life spent in loud rooms. Damage. Evidence of excess. I don't think of it that way anymore. I don't value the ringing. Honestly? I despise it. But I do value the life that I lived, even if it happened while I wasn't spending every night trying to protect myself from it. If I could keep the memories and lose the chorus, I'd do it in a heartbeat. That option was never on the table. These days I still go to gigs. I just wear earplugs. Experience is a wonderful teacher. It's just not always a gentle one. Mark PS. I f you missed to see, the finihsing line challenge has a fixed start date for the first cohort, 27th July. There will be others, but this run through will help shape the future of what is to come. It is free, so why not help shape the future, and work on another song at the same time. You might even find someone to work on it with. |
I've spent 25 years in the studio watching musicians with real talent not finish their music. Not because they lacked ability — because friction got in the way. The Quiet Rebel is where I share what those 25 years actually taught me. Practical frameworks, honest conversations, and the 20% of things that create 80% of finished music. No hustle. No gear obsession. Just the tools to help you make the music you actually hear in your head. — Mark
Hey Reader, For weeks I watched a number that wasn't moving. I'd built The Finish Line Challenge, a 14-day way to take one song from the hard drive to actually done, and I sent it out into the world with no real idea if anyone would come. Sign-ups trickled in slowly enough that I started rehearsing the version of this where it quietly doesn't work. Where I built a room and nobody walked in. That waiting is its own kind of friction, and nobody warns you about it. You can finish the thing...
Hi Reader, It finally has a date, 27th July 2026. That is when I will be bringing a whole bunch of likeminded musicians together who all want to finish one song in 14 days. It will include daily encouragement and prompts/suggestions via email, a group WhatsApp tp bring everyone together, and the promise of no gatekeeping, no divas, and nothing demanding, just a bit of fun getting back into the grrove of making music for entertainment. You don't have to release it (if you don't want to). You...
Hey Reader, I once set up a band for a level check. Nothing serious, just get the mics roughly right before we started for real. I asked them to run through their most energetic song so I could get some sound in the room, check for peak levels, make sure I had no dud cables, etc. I learnt right back in the beginning to record everything, so as always I hit record. If for nothing else I could play it back for the band to see if they were happy with the overall sound. This time, they were on...